Last week I took a vacation. NCECA — the National Council on Education for the Ceramic Arts — convened in Kansas City, Mo. More than 6,000 clay teachers, artists, gallery owners and tool sellers and reps from universities and craft schools were there. I roomed with a friend from California.
Being so surrounded by working clay folks was a total change of setting — landscape and portrait — because (next to exercise, which I pretty much don't do anymore) the daily activity Mom's situation has curtailed most is my clay work. But NCECA leaves no time to mope: the agenda is a cornucopia of overlapping opportunity, and while the crowds are strangers, they feel familiar. They like to chat.
Friday morning, while trying to decide between a panel on porcelain so fluxed it's translucent at cone 04 or running back to the hotel for ibuprofen so I wouldn't limp in the galleries that night, I joked to a stranger that it would be great to clone myself.
Later, much later, in the wee hours, I woke up from a dream in which I'd done just that.
Even for this wordy blog, expecting you to read my entire dream narrative is a bit much. Just know that tiny Celia clones crawled out of my right ear, landed in the sink and grew up at an accelerated rate. And then I hurriedly handed them my spare clothing.
The first revelation of this dream was unexpected: Having the power "to see oursels as ithers see us" is not so fun as finding your least homely angles in a mirror. It was terrible to observe full frame how cute I could be — if only, how like a retired kindergarten teacher, and how much smaller some parts of me are than I imagine and how much larger others are. Also, how obvious my self-absorption is. I did not like it.
If all of us could see ourselves as others do, progress would grind to a halt.
But "rise above" is the right motto, and so I diligently attempted to learn something from my clones as they interrupted one another and ostentatiously Did Good Deeds. When one clone bustled out of the room, I followed her.
How she annoyed me was ... she went around the NCECA convention crowd and buttonholed any kind-eyed women that didn't slip away fast enough. She maneuvered them through a sort of conversational serpentine ramp (like in a slaughterhouse) until the point arrived where she could tell them about her mother.
But her mother was not my mother, the famous dementia victim. Her mother was my mother before I was born, my mother as a little girl.
Clone me blathered about how she misses that little girl she never met, the baby Julie.
That's where I was in the dream when I woke up.
So who was baby Julie?
I do not know. But thanks to my cousins Sheila McCoy, Ed Walsh Jr. and Dan Lynch, to Mom's writings as an old lady and to things she told me at StoryCorps, I have a vision that goes like this:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNe12l_R0a7p6a5Rssg451YD3e8xGlIOVas1QygMtadmulv3b9UHntxd9VErFpzGJ3X4uQh-5CSdfVhGRe-ZqC0b45TGWqrfS1HdR9w0Kzg1Iuf80R5ZSAV9in4wpQHLLU8X44Fk8uoL61/s640/harrisontrike.jpg) |
My little Mom on Harrison Avenue in Newport, RI, in the 1920s. |
Julia Frances Lynch was named for her paternal grandmother, Julia (Clifford) Lynch.
My mother was 15 months old in August 1925 when her father John Michael, an Irish immigrant naturalized in 1910, was hit and dragged by a Chrysler driven by one Roger B. DiPesa of Brookline, Mass., well into his cups. DiPesa was charged with manslaughter and operating an automobile while intoxicated. John F. Kennedy's uncle Fred was a passenger in that car. There was public outrage for the slaughter of "Johnny" Lynch, a member of the representative council.
The Newport Mercury reported: "Mr. Lynch had been employed as a collector for the John Hancock Insurance Company for about four years, having been a gardener on the estate of Governor Beeckman previous to that time. He is well known and was very popular throughout the city. He is survived by a widow and four children, as well as by several brothers and sisters."
Julie Lynch was the youngest of the four. Granny's sister and brother-in-law moved her and her kids into their second floor and attic, and there they lived for 12 years, while Julie played and pouted, developed an affection for hyphens and worked hard on her penmanship.
Granny did laundry and ironing to support them. Julie was the inconvenient baby, tended by grudging older sisters, her aunt and uncle and nuns in the convent three doors down.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGt6HBzecNukExpFk4UBC081rmAKn-7cZgj7uBvH024E3Wda50gBBmBn-Y9biL-Lp1UW-_iFq64jLqFcSTINoJdhFpo0y0thPCEGO_kzhUgp-pr6-TExSCi54s1o1MQycSenDoCBu8PAxB/s400/smirk.jpg) |
First communion |
Years later, Mom tried to understand Granny in much the way I am trying to understand her now. I found a short story Mom worked on for an old-folks' memoir class (at Shepherd's Center) in which she writes about feeling unwanted and inadequate. She writes about struggling to keep up with her silent mother on the sidewalk, and how fast Granny walked.
She writes about being envious of other girls whose parents gave them curfews.
"Children should be seen and not heard," was the rule, but Julie was the cheery littlest baby, and people doted on her. Kind women down the street gave her fancy dolls. Mom was born happy and learned to walk before her family's tragedy: She found it impossible not to look for the bright side.
But she took any reprimand to heart. She was a fan of not getting into trouble.
She was not like me. "Little pitchers have big ears" was her cue to leave the room, and she did. She did not listen when she was not supposed to listen.
Instead, she made good grades.
In her little-girl diaries, she carefully paid attention to international news. She carefully expressed opinions that matched her teachers' and her elders' opinions.
Because my niece Song as a baby resembled Mom's baby pictures, I believe my mother was a giggly cutie with a piping voice and musical laugh who became a favorite of the adults because she was just so determined to measure up.
I believe little Julie was adorable. Even if she wasn't, it's my story to tell now, and I say: She was.